Hamlet
–
Talbot Theatre, Thomas Dixon Centre

A Kingdom in Mourning. A Son Obsessed. A Revenge Set in Motion.
Love turns deadly and power corrupts all in Hamlet — a gripping dance drama by international choreographer Leo Mujić, where every choice carries a cost.
Set to the sweeping music of Tchaikovsky and Saint‑Saëns, Mujić’s Hamlet transforms Shakespeare’s immortal characters into a powerful physical language, where classical ballet fuses with visceral, contemporary movement. Through ensemble‑driven choreography, the drama surges and fractures, creating a work that is raw, unrelenting, and devastatingly human.
Image credit: Soloist Edison Manuel and Artists of Queensland Ballet performing Hamlet. Photography by David Kelly.
The recorded music of Hamlet is engineered using the highest quality sound and features the Russian National Orchestra, Royal Liverpool Philharmonic Orchestra, Orchestre de Paris, Chicago Symphony Orchestra, Orchestre Philharmonique de Monte-Carlo, Israel Philharmonic Orchestra, Malmö Symphony Orchestra, and Queensland Symphony Orchestra.
Venue
Talbot Theatre Thomas Dixon Centre
406 Montague Road West End QLD 4101
Credits

Leo Mujić
Choreographer

Bálint Rauscher
Assistant Choreographer & Dramaturg

Camille Saint-Saëns
Music

Stefano Katunar
Set Designer

Manuela Paladin Šabanović
Costume Designer

Aleksandar Čavlek
Lighting Designer

Svebor Zgurić
Sound Engineer

Ben Hughes
Revival Lighting Designer
#Ticket Options
#Reviews
#The Story of Hamlet

Act I
Grieving the death of his father, Prince Hamlet is shaken further when his mother, Queen Gertrude, hastily marries his uncle Claudius, now king of Denmark. As the court celebrates, Hamlet encounters the ghost of his dead father who reveals he was murdered by Claudius and demands revenge.
Consumed by doubt and rage, Hamlet’s behaviour grows erratic, pushing away his beloved Ophelia and alarming the court. To confirm the truth, Hamlet stages a play that reenacts the murder — and Claudius’ guilty reaction exposes him, but Hamlet hesitates to take action.
In a heated confrontation with his mother, Hamlet mistakenly kills Polonius. The ghost returns to warn him, while Gertrude, unable to see it, believes her son has lost his mind. Hamlet departs into darkness, the tragedy accelerating toward inevitable ruin.

Act II
Hamlet hides Polonius’ body as Claudius orders a search through the castle. Fearing for his life, Claudius sends Hamlet to England under guard, secretly arranging his execution.
On the journey, Hamlet uncovers the plot and turns it against Rosencrantz and Guildenstern. Meanwhile, Ophelia descends into madness after her father’s death and drowns herself, devastating her brother Laertes, who swears revenge.
Returning to Denmark, Hamlet reflects on life and death in a graveyard, only to be confronted by Ophelia’s funeral. He reveals his love for her and clashes with Laertes. Claudius and Laertes conspire to kill Hamlet through a staged duel, using poison as their weapon.
At court, betrayal unfolds rapidly: Gertrude drinks from a poisoned cup, Laertes and Hamlet wound each other with a poisoned blade, and Gertrude dies. With his final strength, Hamlet kills Claudius and charges Horatio to tell his story. As Hamlet dies, Fortinbras arrives and claims the throne, bringing the tragedy to its close.
#Characters
#Behind the Production

About the Costumes
With Costume Designer, Manuela Paladin Šabanović
"Hamlet is an emotionally dark and politically layered work, and that complexity strongly shaped my costume approach. I wanted the costumes to reflect a world that is simultaneously elegant and decaying — a court built on appearances, repression and hidden tensions. The palette, silhouettes and textures all carry a sense of emotional weight. Rather than presenting purely historical costumes, I was interested in creating an atmosphere where power, grief, manipulation and isolation feel immediate and less concentrated in historical context.”













