Bespoke

Talbot Theatre, Thomas Dixon Centre

Bespoke

Talbot Theatre, Thomas Dixon Centre

Where bold ideas take shape

Bespoke returns for its ninth season with a daring new vision.

For the first time, we invited choreographers, composers, designers and interdisciplinary artists to collaborate in creating three original works.

Selected for their bold artistic vision, choreographers Claire Voss, Victor Zarallo and Paul Knobloch present three world premiere creations for this year's Bespoke season.

Pushing the boundaries of movement, music and design, each work explores what it means to remain authentic in the face of powerful external forces. From identity and belonging to climate change and rebellion, contemporary issues are transformed into powerful stories that place the human experience at their core.

Bold, innovative and unforgettable, Bespoke celebrates the cutting edge of dance and the transformative power of artistic collaboration.

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Dates & Times

2 hours, including one 20-minute interval, and one 25-minute interval.

View Session Times

Price

Season Ticket Packages

Choose the package that best suits you

Duet

Save up to 10% on Premium single ticket prices when you choose 2 ballets.

Encore  

Save up to 15% on Premium single ticket prices when you choose 3 or more ballets.

Pricing

To request a group booking call Queensland Ballet at (07) 3013 6666

Single Tickets from
Adult$89
Concession$76
30 years & under$72
Child$45
Group$76
School Group$35
Fees

A transaction fee of $5 applies per transaction.

Ticket fees may apply at checkout, as per venue Terms and Conditions.


Venue

Talbot Theatre Thomas Dixon Centre

406 Montague Road West End QLD 4101


Credits
Victor Zarallo

Victor Zarallo

Choreographer

Brady Watkins

Brady Watkins

Composer

Bethany Cordwell

Bethany Cordwell

Costume Designer

Anthony Lee

Anthony Lee

Lighting Designer

Paul Knobloch

Paul Knobloch

Choreographer

Matej Perunicic

Composer

Matthew Allan

Lighting Designer

Claire Voss

Claire Voss

Choreographer

Michelle Potts

Michelle Potts

Costume Designer

Anthony Lee

Anthony Lee

Lighting Designer


Performances

Select Session

October

Mon Tue Wed Thu Fri Sat Sun
1 2
3
4
5 6 7
8
9
10
11
12 13 14 15
16
17
18
19 20 21 22 23 24 25
26 27 28 29 30 31
  • Opening Night
  • Q&A

#Ticket Options

Groups

Adult groups of 6+ receive an additional free-of-charge ticket with every 6 tickets purchased.

To request a group booking call 07 3013 6666 or email our ticketing team.

School groups and Dance Studio groups

School groups and Dance Studio groups receive an additional free-of-charge Adult ticket with every 10 student tickets purchased.

To request a school group booking call 07 3013 6666 or email our ticketing team.

MobTix

Queensland Ballet offers Mob Tickets for First Nations Audiences. Mob Tickets offer discounted access for First Nations peoples to selected Queensland Ballet performances.

Plan your visit

Everything you need to know about the Thomas Dixon Centre's Talbot Theatre before you visit. Make sure you're prepared so you know where to eat, park, and how to get there.

#Premiering this Season

Where the Water Once Was

Where the Water Once Was is a contemporary ballet that reflects on humanity's relationship with water and the consequences of taking it for granted. The work explores not only an environmental crisis, but also the human experiences of loss, resilience and hope.

At its heart is a belief in our collective capacity to reconnect, adapt, and care for one another and for the environment that sustains us. This ballet invites audiences to reflect on what is lost when water disappears, and what can still be preserved through shared responsibility.

This piece is brought to life by Choreographer Claire Voss, Composer Connor D'Netto, Costume Designer Michelle Potts, and Lighting Designer Anthony Lee.

Between the Line

Between the Line explores the delicate space between angst and ease, where pressure, perfection, and the desire for control take shape in the body.

Within the score, repetition becomes rhythm: a pulse that tightens, then gathers, until anxiety rises like sound, shaped by inner demands and the relentless conversation of the mind. As the music builds, the body begins to answer in kind: softening, centering, and moving slowly towards release.

The light appears like a pause in the score: a quiet axis of order and stillness, reminding us that even when the world feels fast and heavy, we can still conquer time if only for a moment.

Between the Line invites the audience to surrender to what cannot be controlled, find balance within uncertainty, and discover ease in the spaces between movement and music, mind and moment.

This piece is brought to life by Choreographer Paul Knobloch, Composer Matej Perunicic, and Lighting Designer Matthew Allen. 

What Remains

A young woman enters the world guided by compassion, wisdom and trust. Seated alone, she is gently led by two figures whose nurturing presence shapes her first understanding of belonging. Their quiet intimacy creates a fragile sanctuary where identity begins with care rather than expectation.

Without warning, this sanctuary is shattered as a powerful collective floods the stage. The guiding figures disappear into the crowd, becoming part of a society governed by conformity, routine and the relentless pressure to belong. Surrounded by the overwhelming force of the group, the woman struggles to mould herself to their expectations. She imitates, adjusts and sacrifices pieces of herself, yet acceptance remains just beyond reach.

At the moment she is about to collapse beneath the weight of these expectations, one individual reaches out. Their encounter unfolds through an intimate duet that becomes the emotional centre of the work. Rather than encouraging her to change who she is, he teaches her that resilience lies in adaptation without surrender. It is possible to move with the world while remaining faithful to oneself.

When the collective returns, she faces it transformed. No longer driven by the need to imitate, she discovers her own place within the community. As mutual understanding grows, the ensemble gradually embraces her, revealing that belonging does not require the loss of individuality.

In the final moments, she is left alone, carrying the quiet strength gained through her journey. The world around her has changed, but so has she. She has learned to exist within society without abandoning the values that first shaped her. The work closes as a reflection on humanity’s universal search for acceptance, resilience and the delicate balance between belonging and remaining true to oneself.

This piece is brought to life by Choreographer Victor Zarallo, Composer Brady Watkins, Costume Designer Bethany Cordwell, and Lighting Designer Anthony Lee. 

#Meet the Creatives

'Where the Water Once Was'

Claire Voss

Choreographer - 'Where the Water Once Was'

Paul Knobloch

Choreographer - 'Between the Line'

Victor Zarallo

Choreographer - 'What Remains'

Connor D'Netto

Composer - 'Where the Water Once Was'

Matej Perunicic

Composer - 'Between the Line'

Brady Watkins

Composer - 'What Remains'

Michelle Potts

Costume Designer - 'Where the Water Once Was'

Bethany Cordwell

Costume Designer - 'What Remains'

Anthony Lee

Lighting Designer - 'Where the Water Once Was' and 'What Remains'

Matthew Allan

Lighting Designer - 'Between the Line'

#A Sneak Peek Behind the Scenes

In the costume department with Costume Designer Michelle Potts

Costume texture inspiration by Costume Designer Bethany Cordwell

In the recording studio for Composer Connor D'Netto's original piece - String Quartet No.4

Composer Connor D'Netto in the recording studio

In the recording studio for Composer Connor D'Netto's original piece - String Quartet No.4

#In the News

Queensland Ballet Announces New Creative Line-Up for Bespoke 2026

#More shows this season

We acknowledge the traditional custodians of the land on which we work and perform. Long before we performed on this land, it played host to the dance expression of our First Peoples. We pay our respects to their Elders — past, present and emerging — and acknowledge the valuable contribution they have made and continue to make to the cultural landscape of this country.